Book 4’s villain will be a new threat, not a direct tie to the Red Lotus. source
The Airbenders will take on a peackeeping Jedi Knight-like role. source
Book 4 production progress:
25/08/2014 - Book 4 is “essentially done” with post-production being worked on for the “rest of .” source
25/08/2014 - Book 4’s dialog recording is complete, and the cast will return to do grunts and other natural sounds when animation is complete. source
06/06/2014 - The design/color stage of production is “in the home stretch.” source
07/03/2014 - The animatic stage of production is complete. source
11/09/2013 - Voice recording is likely complete based on the fact that it has been ongoing since at the latest September of last year.
Unclear information / rumors:
Book 4 is rumored to be titled Balance. This is claim is completely unfounded but possible.
Given that Book 1 focused on Korra learning Airbending, Book 2 on the Water Tribes conflict, and Book 3 on the Earth Kindgom, it is likely Book 4 brings us to the Fire Nation and current Fire Lord, Zuko’s daughter.
Kuvira (voiced by Zelda Williams) was name-dropped several times in the finale seemingly without purpose, as well as having a sinister musical theme play when introducing herself. For these reasons it is likely she is being set up for a bigger role in Book 4, possibly as a villain.
Book 4 is rumored to have a January 2015 release based on the fact that this is when the Book 3 Artbook comes out, and the previous Artbooks have had releases timed approximately with the next season. Beyond this grasping-at-straws connection, January seems like a reasonable release time considering how far along production is and the fact that online distribution eliminates Nick’s scheduling issues.
Bryke have stated that 2014 was Korra’s last big SDCC panel, meaning that Book 4 will be released before summer of next year. This further supports the Q1 2015 rumor, as well as the likelihood of us getting our first look at Book 4 at NYCC this year, October 9th-12th.
Given the timeline of Book 4 premiering in January/February in Australia, and assuming it’s true, it’s possible Book 4 will premiere at New York Comic-Con (October 9th-12th) with online distribution following shortly after.
More and more Book 4 information should be coming out soon, and this post will be kept up-to-date as it happens!
A few tips everybody should consider. I’ve experienced all those and some more. I’m not good at english but I hope you get it. Go and support some artists out there and let them draw you nice shit. Not as nice as FairyNekoDesu but still will be cool so give them a chance and you’ll be surprised.
All of these things.
Especially the deadline. If you don’t have a deadline thats way in advanced it’s not gonna get done by then. I am almost always taking on a ton of projects at once and sometimes need a break from it to: work on stuff for me, work on stuff for friends, search for jobs, be the work slave of parents, actually relax and try to relief stress, technical difficulties, researching on how to do stuff, ect.
Sometimes it’s done in a day. Sometimes it’s done literally a year later. But I always update the people I work with so they know I haven’t forgotten.
Do NOT rush your commissioner. Let them work at their pace and it will be worth it. Rushing them insures a rush job which will very likely make the quality decline.
All this is true. Also, ref sheets are the most important thing ever. I can’t stress that enough. They make the job A LOT easier (instead of having to compare 10 different pics between each other and see that everything fits, you just look at 1!!) If you plan in commissioning your character a lot, or even if its not yours (like from an anime or something) Either commission one or look for ref sheets of the show (because there are!).
Also i strongly suggest not using Instant Messaging. Information can be lost pretty easily there and it’s hard to come back to it. Use emails instead. The info stays there, and it’s easy to search for it. It’s also an excellent way to keep track of the descriptions, so if either the client or artist made a mistake, you can see the email threads and see who’s right straight away.
also pushy clients LOVE instant messaging. Pls no.
This is Chester. When I was in Afghanistan I got a care package from one of those “Adopt a Soldier” programs that lets families send care packages to service men and women who are deployed overseas. Anyway, I got this care package, and it came with the usual stuff: Baby wipes, crackers, peanut butter, the Dad threw in a pack of cigarettes, and there was some jerky. But there was also a little beanie baby gold fish and a hand written note from a 7 year old girl that said “Dear Soldier, (I wasn’t even mad) I hope you are doing well. I’m sorry you have to miss thanksgiving with your family. This is my friend Chester. He keeps me safe from monsters, but I think you need him more than I do. I hope he keeps you safe from the monsters you’re fighting. Take good care of him for me”.
You bet your ass that little fish was in my pocket every time I went on patrol.
I’d find that kid and return his friend to him with the good news.
I wanted to but the it box it came in (with the return address) accidentally got taken out to the burn pit before I could write it down. My only hope is for this post to go insanely viral and her hear about it and that he did his job, which was helping me do mine.
I just couldn’t love the Holmes brothers scenes in S3 more! I think what I love most about this is the “but I’ve been away for two years.” What could this mean other than, with me away you must have been lonely, suggesting that when Sherlock is not away, Mycroft would not be lonely because they have each other. It suggests so much time spent together that we never got to see before! Ugh I just love that so much…
yes, they play Operation, like games are something they always share and i love it. i need more blud bros in S4!!!!
yes omg. But don’t you see, they are implying Mycroft getting a Romantic relationship.
I can hear the mystraders cheering in the distance xD
Launched last month, Wafrica — Africa plus wa for Japan — has unveiled a range of kimono handcrafted in an array of African cotton fabrics that would seem to be a million miles from the subtle silks more commonly associated with traditional Japanese dress. Yet despite the orange comets and flashes of lightning tearing across a moss-green background, and the tribal swirls in colors that recall the sun-drenched African soil, the prints blend seamlessly into the kimono form before they surprise Japanese shoppers with their foreign origin.
The cultural cocktail is the brainchild of Serge Mouangue, a Tokyo-based concept- car designer for Nissan, who joined forces with Kururi, a Tokyo-based kimono- maker, to produce the traditional Japanese attire in 18 African prints sourced in markets from Nigeria to Senegal.